“In 1970, students in a fifth-grade class at Hawthorne School in Beverly Hills were assigned to write a letter to someone they admired, asking them ‘What makes a good citizen?’ Joel Lipton, 10 years old at the time, wrote to Peanuts cartoonist Charles Schulz.”
“I think it is more difficult these days to define what makes a good citizen then it has ever been before. Certainly all any of us can do is follow our own conscience and retain faith in our democracy. Sometimes it is the very people who cry out the loudest in favor of getting back to what they call ‘American Virtues’ who lack this faith in our country. I believe that our greatest strength lies always in the protection of our smallest minorities.”
Not sure what is exactly that Merlin Mann is up to, but he’s been posting words of wisdom on Github. Lots of gems.
People think about you much less than you either hope or fear.
Whenever you’re not sure what to say, either say nothing, or ask a question.
Never argue on the internet. No one will remember whether you won or lost the argument; they’ll just remember that you are the sort of person who argues on the internet.
Be sparing in how often you tell someone their negative feelings are wrong; it rarely helps a sad person to be told that they are also a liar.
Whatever your problem is, remember that before you can get better, you have to stop getting worse. Try first to stop getting worse.
Just because you know something doesn’t mean everybody knows it. Every day, somebody’s born who’s never seen The Flintstones.
Archive any email that’s older than 30 days. If it kills you to archive a given email, immediately turn it into a task, and then archive it.
Avoid any children’s movie whose theatrical trailer includes more than one fart or butt joke. That’s their idea of the best parts of the movie.
If you have cool stickers, use them. Put them on things. Be carelessly joyful about using your stickers. If you die with a collection of dozens of cool stickers that you never used, you did it wrong.
Related: food is for eating, heirlooms are for using, champagne is for drinking, and fancy clothes are for wearing. You are not a fucking docent, and the Pope is not coming to your house.
When you die, your family will be charged $100 for every time you’ve ever honked your car horn. I cannot tell you how I know this, but please just understand with all sober certainty how very important it is that you never again honk your car horn.
“How many more of these stinking, double-downer sideshows will we have to go through before we can get ourselves straight enough to put together some kind of national election that will give me and the at least 20 million people I tend to agree with a chance to vote FOR something, instead of always being faced with that old familiar choice between the lesser of two evils?”
Oh, Mr. Thompson, If only you were still alive and kicking. If we really are going down in a ball of flames, there’s no one I’d rather have covering it.
Had the pleasure to see the Muppets in a wonderful exhibit in Grand Rapids last year and this film served as an excellent reminder of that inspirational day.
In his own words:
“Life’s like a movie, write your own ending. Keep believing, keep pretending.”
I will likely always be more of a George Carlin or Kurt Vonnegut, but I will forever strive to be a Jim Henson.
The renaissance had come and gone. It ended with either Who’s Next in August, ’71, or The Rolling Stones’ Exile on Main St., May of ’72. You can argue all night about which record began the renaissance, but nobody’s going to argue that starting somewhere around Jackie Brenston’s Rocket 88, 1951, the next twenty years would be the most inspiring, explore the most innovations, and have the most significant cultural impact in musical history. The level of greatness achieved in virtually every musical genre (blues, jazz, gospel, country, rhythm and blues, rockabilly, soul, and rock ‘n roll) was so extraordinary that it will never be equaled. Not until new instruments areinvented, new scales used, and new technological means of communication are plugged directly into your cerebral cortex… Beginning somewhere in the early ’70s, musicianship and singer-songwriter craft replaced visceral, passionate, accessible, danceable rock ‘n roll as intellect and sophistication became the mainstream… So what do you do in the face of this rather harsh reality? A reality that says the ’50s are over, the ’60s are over, fun is over, and you missed it? It’s a secondhand culture for you? Hand-me-down riffs, used emotions and theatrical jive.
Fortunately, you have the one thing going for you that transcends eras, fashion and time. You have the one thing that all truly great rock ‘n roll bands have in common: you’re gonna play in a band because you have no other choice. You don’t fit in anywhere in society and you can’t do anything else. You might as well ignore everything that is going on, and invent your own style. You might as well be the most important influence on the next 30 or 40 years of rock ‘n roll. You might as well be the Ramones.
“Innocence brings forth innovation. A lack of knowledge can create more openings to break new ground. The Ramones thought they were making mainstream bubblegum pop. To most others, the lyrical content alone- about lobotomies, sniffing glue, and pinheads- was enough to challenge this assumption.
While the band saw themselves as the next Bay City Rollers, they unwittingly invented punk rock and started a countercultural revolution. While the music of the Bay City Rollers had great success in its time, the Ramones’ singular take on rock and roll became more popular and influential. Of all the explanations of the Ramones, the most may be: innovation through ignorance.”
My friend Tom had the good fortune of studying under Albini in the early 2000s and had this to say:
“Steve is one of a literal handful of people that I would consider a role model. In addition to opening my ears to what a good record should sound like, he showed me what a good person should act like. As an impressionable teenager and into my early 20s, he taught me how and why to treat people ethically and how to give absolutely zero fucks about the opinion of people who don’t.”
“I explained this to Kurt but I thought I’d better reiterate it here. I do not want and will not take a royalty on any record I record. No points. Period. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It’s the band’s fans who buy the records. The band is responsible for whether it’s a great record or a horrible record. Royalties belong to the band.
I would like to be paid like a plumber: I do the job and you pay me what it’s worth. The record company will expect me to ask for a point or a point and a half. If we assume three million sales, that works out to 400,000 dollars or so. There’s no fucking way I would ever take that much money. I wouldn’t be able to sleep.”
So were the then recently-reunited Pixies, whom I interviewed.
And Air, also interviewed.
And Tommy Lee, whom I had a drink with in the VIP lounge.
Which is where I also Mike Watt. And Fred Schneider. And Wayne Coyne, who would debut the Space Bubble the next evening.
And Kraftwerk, who I managed to get into a packed tent to see and have my mind blown.
And Radiohead. If you were there, ya know.
And also Belle & Sebastian, Broken Social Scene, The Cure, Erase Errata and a lot of bands I can’t remember or may have missed because I was working and drinking and loving life and completely caught up in the magic.
“When most drivers see the first “lane closed ahead” sign in a work zone, they slow too quickly and move to the lane that will continue through the construction area. This driving behavior can lead to unexpected and dangerous lane switching, serious crashes and road rage.
Zipper merging, however, benefits individual drivers as well as the public at large. Research shows that these dangers decrease when motorists use both lanes until reaching the defined merge area and then alternate in “zipper” fashion into the open lane.”
Most well-meaning motorists succumb to “motive misattribution,” “assuming someone’s intentions are evil or misguided while your own are virtuous,” thinking if one zips they they are “a selfish, reckless cheater who cuts in line, when actually, if we all merged one at a time as he had, everyone might get where they were going faster.”
“Flow, or being ‘in the zone,’ is a state of amped-up creativity, enhanced productivity and blissful consciousness that, some psychologists believe, is also the secret to happiness. It’s considered the brain’s fast track to success in business, the arts or any other field.
But in order to achieve flow, a person must first develop a strong foundation of expertise in their craft. That’s according to a new neuroimaging study from Drexel University’s Creativity Research Lab, which recruited Philly-area jazz guitarists to better understand the key brain processes that underlie flow. Once expertise is attained, the study found, this knowledge must be unleashed and not overthought in order for flow to be reached.
Previous neuroimaging studies suggested that ideas are usually produced by the default-mode network, a group of brain areas involved in introspection, daydreaming and imagining the future. The default-mode network spews ideas like an unattended garden hose spouts water, without direction. The aim is provided by the executive-control network, residing primarily in the brain’s frontal lobe, which acts like a gardener who points the hose to direct the water where it is needed.
Creative flow is different: no hose, no gardener. The default-mode and executive-control networks are tamped down so that they cannot interfere with the separate brain network that highly experienced people have built up for producing ideas in their field of expertise.“
“I wish I had a better education but I think that my entire background made me well-suited for what I do. If I could write better than I can, perhaps I would have tried to become a novelist and I might have become a failure. If I could draw better than I can, I might have tried to become an illustrator or an artist and would have failed there. But my entire being seems to be just right for being a cartoonist
Two massive tomes I finally conquered: The Stand and The Pale King. Wouldn’t necessarily recommend either but I am glad I read both.
Of course I love reading about movies. After making a list of my favorite (read: not the ones I think are the best) films, I realized two filmmakers had four films on my list: PT Anderson, and one that surprised, Sidney Lumet. I immediately sought out his book Making Movies. It was a bit dated in describing how the sausage is made, but it had a lot of great stories and even better advice, bits that carry over to the creation in any art form.
Recently finished Mrs. Maisel and wanted to keep living in that world as well, so I finished my copy of Lenny Bruce’s How to Talk Dirty and Influence People and have come to the conclusion that I prefer the fictional portrayal.
And of course I love reading about music. More specifically The Beatles. Read Revolution in the Head, Dreaming The Beatles and 150 Glimpses and loved the different styles and tones of all three, especially the latter.
I did also read, as well as listened to, the Beastie Boys Book and would recommend both. The book’s art and photos are great, but the audiobook elevates the material, and is read by the most absurd cast ever, including Steve Buscemi, Elvis Costello, Chuck D, Snoop Dogg, Will Ferrell, Kim Gordon, LL Cool J, Spike Jonze, Rachel Maddow, Tim Meadows, Better Middler, Rosie Perez, Amy Poehler, Kelly Reichardt, John C. Reilly, Maya Rudolph, Jon Stewart and Ben Stiller.
A book I read about film and music and television and pop culture junk and how it all ties together was Chuck Klosterman’s The Nineties: A Book.
On Loving God had some great passages and advice, not just for Catholics.
The Swallowed Man was a fun read, the story of Pinocchio from Geppetto’s point of view (from inside the belly of the whale, no less).
“Surely You’re Joking, Mr. Feynman!” didn’t offer as much insight as I was hoping for, but it was a curious glimpse at an incredibly interesting man.
I don’t really know much about poetry but I enjoyed Rotten Perfect Mouth by Eva HD, whom I discovered after watching a film I did not care for, but the poem hasn’t left me.
The Bear (Seasons 1-2): Second season surpassed the first. The bottleneck episodes, “Fishes” and “Forks,” were probably my two favorite single episodes of a show last year.
Brooklyn Nine-Nine (Seasons 1-8): Just what I needed. Not quite Parks or The Office, but a solid sitcom from start to finish.
Better Call Saul (Seasons 5-7): Stuck the landing. For my money, better than Breaking Bad, but also surprisingly wrapped up the entire saga perfectly.
Curb Your Enthusiasm (Season 12): Of course Larry would invent the “Spite Finale.” A hilarious remake of the Seinfeld ending that everyone hated. And the title? “No Lessons Learned.” Bravo.
Dave (Seasons 1-3): I think ‘Lil Dicky is a immensely talented MC, but I like his show much more than his music.
Party Down (Season 3): Solid revival. Not quite as funny as the first two seasons, but this cast is too solid to fail.
Rick and Morty (Seasons 6-7): My last review still stands: “Like most nerdy things, the fan base kinda ruins it, but this show is too funny and too in my wheelhouse not to love. And quite often, it is just as deep as they say it is.”
Saturday Night Live (Seasons 48): More meh moments than classics, but not as bad as they say and sometimes flat-out hilarious. I liked every bit of last week’s episode with Gosling.
South Park (Seasons 24-26): Not at its peak, but still the most cutting satire on television.
Succession (Seasons 1-4): A masterclass in writing and acting.
Ted Lasso (Season 3): Nothin’ wrong with comfort television.
“Today Mark Borchardt looks less like an amusing hustler, and more like a poetic and even tragic hero; the living embodiment of unfulfilled dreams. Even that scene with the unforgiving cabinet door takes on a deeper meaning. It’s still funny, but it also summarizes the lives of dreamers like Mark in a single image. The pursuit of something bigger than yourself so often feels like banging your head against the wall. And when you bang your head against a wall, the wall always wins.”
So nice, I went and turned 21 twice. Spent the birthday with Adri in Detroit, getting prayer beads from Dabls, strolling thru Heidelberg, getting drinks with DJ Ladylike at Spot Lite, and stopping by my favorite tiki spot Mutiny before getting grooves on at Boogie Fever.
