Lacking significance through having been overused; unoriginal and trite.
Fleabag
Fleabag

I’ve watched more television in the quarantimes than the last few years combined.

Atlanta (Seasons 1-2): I applaud the ambition, but it didn’t always grab me. Could have been funnier, or at least shown more heart. Stanfield was great, as always, but was most impressed by Brian Tyree Henry’s nuanced performance.

Better Things (Season 4): The small moments have always been the best part of this show. There are so many moments I can relate to, but those I don’t, like a scene when a new husband sings “Martha” to their partner, or when a child recreates a classic Hollywood slapstick routine; those are the ones that make want to live in this world. Other shows make me laugh more, but no other makes me smile, cry or feel as much as Better Things.

#BlackAF (Season 1): I haven’t seen any of Kenya Barris’ other work so I can’t speak to it, but I thought this was funny, honest, insightful, and entirely too long. Read: Redundant. There’s a great movie in there somewhere. Love Rashida Jones, obviously.

Castle Rock (Season 2): I love Stephen King so much (probably too much) that I was intrigued from the start and then… wasn’t. I’ll give it to her though, as bad as this got, Lizzy Caplan was frickin’ committed.

Fleabag (Seasons 1-2): First season seemed kinda obvious. Sincerely don’t know how it could be described as groundbreaking. But I did laugh, a lot. Really liked the direction the second took. Hannah Jane Parkinson says it all a lot better than I can.

High Fidelity (Season 1): Since too many of my friends related a bit too much to Rob Gordon, I appreciated the female role reversal. Mighta been interesting to see future seasons not bound by source material.

Kim’s Convenience (Seasons 1-4): Just delightful. There isn’t a lot of social commentary, but sometimes that is O.K. It seems real. As a straight sitcom, it’s the best one I’ve seen in awhile. It’s that funny.

The Marvelous Mrs. Maisel (Seasons 1-3): Very seldom (if ever?) do I care about the B/C stories, but boy am I in love with Midge and Susie. And the stand-up is solid, something I rarely, rarely say about stand-up within shows or film.

Schitt’s Creek (Seasons 1-6): The plot makes little sense, but it’s so funny and has so much heart it doesn’t matter. I bought the final season on Amazon because I couldn’t wait to finish. The finale was a mess, but I was too, a blubbering mess, after watching the documentary at the end. The cast reading the letter from the mothers of thousands of LGBTQ+ kids fucking wrecked me.

The Sopranos (Seasons 1-6): The great rewatch. The greatest rewatch.

Twilight Zone; (Season 1): Thought I was going to love this. At least like it more than I did. The cast is often great (which somehow makes things worse), and some of the plots are interesting, but the episodes usually fail to stick the landings. “The Blue Scorpion” was solid. “A Traveler” seemed the closest to the original series. “Not All Men” and “Replay” were intense and scary. Could have done without the rest, especially the Black Mirror parody, “The Wunderkind.”

The Wonder Years (Seasons 1-6): The great rewatch. The greatest rewatch.