Lacking significance through having been overused; unoriginal and trite.
Film School
Film School

David Lynch is Gone

David Lynch, “maker of florid and unnerving films,” passed on the 15th at the age of 78. He was truly one of one. Peerless. “Like Frank Capra and Franz Kafka, two widely disparate 20th-century artists whose work Mr. Lynch much admired and might be said to have synthesized, his name became an adjective.”

“He’s one of those filmmakers who was influential but impossible to imitate,” said director Steven Soderbergh. “People would try but he had one kind of algorithm that worked for him and you attempted to recreate it at your peril. As non-linear and illogical as they often seemed, they were clearly highly organized in his mind.”

“While the world has lost a remarkable artist, I’ve lost a dear friend who imagined a future for me and allowed me to travel in worlds I could never have conceived on my own,” said Kyle MacLachlan, star of Twin Peaks, among other Lynch projects.

Naomi Watts had something similar to say: “The world will not be the same without him. His creative mentorship was truly powerful. He put me on the map. The world I’d been trying to break into for ten plus years, flunking auditions left and right. Finally, I sat in front of a curious man, beaming with light, speaking words from another era, making me laugh and feel at ease. How did he even ‘see me’ when I was so well hidden, and I’d even lost sight of myself?”

Laura Dern wrote a lovely tribute:

“Through you, I’ve learned what it means to be loved without judgment, just pure acceptance. You have forever transformed all of art, be it film or music or painting or cartoons or giving the weather report — all of it became a space for dreaming. All of it brought you equal joy and creative bliss and was led in the moment by deep instinct and creative consciousness. You made art every day because you had to. You meditated every day as a dedicated act of service. You lived in gratitude and grace. You never knew bitterness. In life, you always felt lucky.

I remember walking offstage linked arm and arm with you at the Governors Awards where you had just received your honorary Oscar. I looked at you and said, ‘Tidbit, you just won an Academy Award.’ And you said, ‘But they aren’t my ideas, I’m just lucky to catch them.'”

He was forever true to his ideas:

“I really believe it’s like the Beach Boys said: “Be true to your school.” You gotta be true to the ideas that you have, because they’re even bigger than you first think they are. And if you’re not true to them, they’ll only work part way. They’re almost like gifts, and even if you don’t understand them 100 percent, if you’re true to them, they’ll ring true at different levels and have a truth at different levels. But if you alter them too much then they won’t even ring. They’ll just sort of clank.”

The evening he passed, I watched The Art Life, Blue Velvet and the first episode of Twin Peaks, which I’ve continued to watch since. Even though I’ve been there before, I imagine I will visit the town, along with Mulholland Drive, again and again.

“Keep your eye on the donut, not the hole.”

Roger Ebert Passed 10 Years Ago Today.

Before the Internet, or at least any Internet I knew of, Siskel & Ebert was my best resource for what was coming out. By the time I hit the age where I wasn’t supposed to be seeing certain things but wanted to, those two were a gateway drug. Very few things sounded more interesting to my just-under-teenage brain than Clerks and Pulp Fiction.

I treated their year end lists like gospel. By my freshmen year of high school I walked around with and read and re-read and basically treated Book of Film the same.

For years, when I watched something, I would end up looking up his reviews to see what he thought. While I often disagreed with him, I was always interested and loved discovering films via his writing. I wonder now what he would have thought about movies that have come out since he left us. I might wonder that forever.

As Steven Hyden wrote when he passed:

“If the sum total of all the people affected by the life and career of Roger Ebert could somehow be quantified– his fellow writers were just a tiny sliver of a large and loyal readership, mind you– we might begin the process of wrapping our arms around the legacy of perhaps the most celebrated film critic who ever lived. In lieu of that, let’s just say: It’s a whole hell of a lot of people.

I recommend looking through his work, particularly his “Great Movies” archive. Love this quote of his: “”Every great film should seem new every time you see it.”

There is also his final “top ten” list and this list of underrated films he loved, including the Up documentary series, about which he wrote:

“No other art form can capture so well the look in an eye, the feeling in an expression, the thoughts that go unspoken between the words. To look at these films, as I have every seven years, is to meditate on the astonishing fact that man is the only animal that knows it lives in time.”

Herzog’s Advice for Filmmakers

Apparently this list is on the back cover of A Guide for the Perplexed. Need to pick this up ASAP.

  1. Always take the initiative.
  2. There is nothing wrong with spending a night in jail if it means getting the shot you need.
  3. Send out all your dogs and one might return with prey.
  4. Never wallow in your troubles; despair must be kept private and brief.
  5. Learn to live with your mistakes.
  6. Expand your knowledge and understanding of music and literature, old and modern.
  7. That roll of unexposed celluloid you have in your hand might be the last in existence, so do something impressive with it.
  8. There is never an excuse not to finish a film.
  9. Carry bolt cutters everywhere.
  10. Thwart institutional cowardice.
  11. Ask for forgiveness, not permission.
  12. Take your fate into your own hands.
  13. Learn to read the inner essence of a landscape.
  14. Ignite the fire within and explore unknown territory.
  15. Walk straight ahead, never detour.
  16. Manoeuvre and mislead, but always deliver.
  17. Don’t be fearful of rejection.
  18. Develop your own voice.
  19. Day one is the point of no return.
  20. A badge of honor is to fail a film theory class.
  21. Chance is the lifeblood of cinema.
  22. Guerrilla tactics are best.
  23. Take revenge if need be.
  24. Get used to the bear behind you.

(Via Kottke)