A “chess set made from paper in the Buchenwald camp by political prisoner Hermann Rautenberg, a Jew from Berlin.”
“On an old fishing boat, posing as a group of innocent boating enthusiasts, Herman Rautenberg from Berlin met with other youths involved in anti-Nazi activities. In spite of being arrested a number of times, Rautenberg was undeterred. In 1937, after he was betrayed by an informant, he was arrested again and sentenced immediately. He was sent to Dachau and a year later to Buchenwald where he was imprisoned for over two years. During his incarceration, Rautenberg made a chess game from bits of paper that he found in the camp.”
From the collection of Yad Vashem’s Museum, “approximately twenty chess sets that were used by Jews during the Holocaust. Some were crafted during the war, others were made before the war and taken with Jews who were deported from their homes. Playing chess helped to alleviate the suffering of Jews and allowed them a few brief moments of relief from the hunger, the cold and the fear, temporarily easing their loneliness and sense of isolation.”
Not sure what is exactly that Merlin Mann is up to, but he’s been posting words of wisdom on Github. Lots of gems.
People think about you much less than you either hope or fear.
Whenever you’re not sure what to say, either say nothing, or ask a question.
Never argue on the internet. No one will remember whether you won or lost the argument; they’ll just remember that you are the sort of person who argues on the internet.
Be sparing in how often you tell someone their negative feelings are wrong; it rarely helps a sad person to be told that they are also a liar.
Whatever your problem is, remember that before you can get better, you have to stop getting worse. Try first to stop getting worse.
Just because you know something doesn’t mean everybody knows it. Every day, somebody’s born who’s never seen The Flintstones.
Archive any email that’s older than 30 days. If it kills you to archive a given email, immediately turn it into a task, and then archive it.
Avoid any children’s movie whose theatrical trailer includes more than one fart or butt joke. That’s their idea of the best parts of the movie.
If you have cool stickers, use them. Put them on things. Be carelessly joyful about using your stickers. If you die with a collection of dozens of cool stickers that you never used, you did it wrong.
Related: food is for eating, heirlooms are for using, champagne is for drinking, and fancy clothes are for wearing. You are not a fucking docent, and the Pope is not coming to your house.
When you die, your family will be charged $100 for every time you’ve ever honked your car horn. I cannot tell you how I know this, but please just understand with all sober certainty how very important it is that you never again honk your car horn.
My friend Tom had the good fortune of studying under Albini in the early 2000s and had this to say:
“Steve is one of a literal handful of people that I would consider a role model. In addition to opening my ears to what a good record should sound like, he showed me what a good person should act like. As an impressionable teenager and into my early 20s, he taught me how and why to treat people ethically and how to give absolutely zero fucks about the opinion of people who don’t.”
“I explained this to Kurt but I thought I’d better reiterate it here. I do not want and will not take a royalty on any record I record. No points. Period. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It’s the band’s fans who buy the records. The band is responsible for whether it’s a great record or a horrible record. Royalties belong to the band.
I would like to be paid like a plumber: I do the job and you pay me what it’s worth. The record company will expect me to ask for a point or a point and a half. If we assume three million sales, that works out to 400,000 dollars or so. There’s no fucking way I would ever take that much money. I wouldn’t be able to sleep.”
“Flow, or being ‘in the zone,’ is a state of amped-up creativity, enhanced productivity and blissful consciousness that, some psychologists believe, is also the secret to happiness. It’s considered the brain’s fast track to success in business, the arts or any other field.
But in order to achieve flow, a person must first develop a strong foundation of expertise in their craft. That’s according to a new neuroimaging study from Drexel University’s Creativity Research Lab, which recruited Philly-area jazz guitarists to better understand the key brain processes that underlie flow. Once expertise is attained, the study found, this knowledge must be unleashed and not overthought in order for flow to be reached.
Previous neuroimaging studies suggested that ideas are usually produced by the default-mode network, a group of brain areas involved in introspection, daydreaming and imagining the future. The default-mode network spews ideas like an unattended garden hose spouts water, without direction. The aim is provided by the executive-control network, residing primarily in the brain’s frontal lobe, which acts like a gardener who points the hose to direct the water where it is needed.
Creative flow is different: no hose, no gardener. The default-mode and executive-control networks are tamped down so that they cannot interfere with the separate brain network that highly experienced people have built up for producing ideas in their field of expertise.“
“I wish I had a better education but I think that my entire background made me well-suited for what I do. If I could write better than I can, perhaps I would have tried to become a novelist and I might have become a failure. If I could draw better than I can, I might have tried to become an illustrator or an artist and would have failed there. But my entire being seems to be just right for being a cartoonist
The Go-Go’s, Beauty And The Beat (1981): “This band is in the Rock ‘n’ Roll Hall Of Fame, and this album is 90 percent of the reason why.”
The Jesus & Mary Chain, Psychocandy (1985): “There are countless artists posting albums on Bandcamp right now who stole all of their ideas from The Jesus & Mary Chain, and they might not even know it. They might think they’re ripping off The Velvet Underground, but they are really ripping off this band who ripped off The Velvet Underground in the mid-’80s.”
The Mothers Of Invention, Freak Out! (1966): “I completely understand why people can’t stand the guy. He writes stupidly complicated music and stupidly stupid lyrics. Personally, I think Zappa is 1) a genius and 2) one of the most obnoxious men who ever lived.”
The B-52’s, The B-52’s (1979): “As a public service, I am sharing this video. I have watched it 25 times and I suggest you do the same. And then make this album a cornerstone of your life.”
Fiona Apple, Tidal (1998): “This might very well be the greatest debut album made by a teenager. I am exactly six days older than Fiona Apple, and I was working a customer service job in the summer of 1996, which is a million times less impressive than writing and recording ‘Shadowboxer.'”
Elvis Costello, My Aim Is True (1977): “The only track on My Aim Is True that’s not convincing is ‘I’m Not Angry,’ which is like Marvin Gaye recording a tune called ‘I’m Not Horny.'”
Pavement, Slanted And Enchanted (1992): “In the proverbial ‘what would you play for an alien to sum up this kind of music?’ scenario, Slanted And Enchanted must be regarded as the go-to soundtrack for any hipster extraterrestrial.”
Beastie Boys, Licensed To Ill (1986): “Uncut Id is taking the riff from Sabbath’s ‘Sweet Leaf” and combining it with the drum break from Zeppelin’s ‘When The Levee Breaks,’ and then inviting three idiots to chant ‘Ali Baba and the 40 thieves’ eight times over it.”
The Strokes, Is This It (2001): “Though if I ever write a column about the best second albums ever, Room On Fire might rank higher on that list than Is This It does here.”
And of course Pink Flag, Exile in Guyville, 3 Feet High & Rising, Ramones, Horses and The Velvet Underground & Nico. Jimi Hendrix took the top spot, which my stepdad would probably be happy about. DJ Shadow and Ween did get honorable mentions.
Hyden also speaks of albums that feel like debuts. In my opinion, an album in that department that always sticks out is You Forgot It in People, which projected Broken Social Scene from a small, mostly instrumental side project, to one of the most epic and ambitious rock bands this century.
A few omissions surprised me and few that made the cut downright bewildered me, but that is why I like lists like this.
Here are five I would have considered.
Violent Femmes, Violent Femmes (1982): Shocked this didn’t make the cut, so much so that I have to imagine Hyden isn’t a fan. I am hard pressed to think of too many debuts that are so quintessentially the band itself.
The Smiths, The Smiths (1984): Everything one would love about The Smiths is all right here. Not my favorite but could easily be someone’s favorite Smiths record. Especially if “This Charming Man” makes the cut.
Le Tigre, Le Tigre (1999): Their best album. Effortlessly cool, sample-laden new wave/punk record that will get you dancing more than any other radically political album I can think of.
Imperial Teen, Seasick (1996): Their best album, too. An even poppier Pixies (and Breeders!), for my money this is the most underrated alt-rock album of the 90s and the #1 album I want to see on Spotify.
Belle & Sebastian, Tiger Milk (1996): I still have love for this band, but in the ’90s and early ’00s, they were the best.
Oh, completely forgot that first Clash record. Listen to that. It rips.
From two Letters Live events, great letters filled with great advice from one of the twentieth century’s best minds.
Key takeaways:
Reduce and stabilize your population.
Stop poisoning the air, the water, and the topsoil.
Stop preparing for war and start dealing with your real problems.
Teach your kids, and yourselves, too, while you’re at it, how to inhabit a small planet without helping to kill it.
Stop thinking science can fix anything if you give it a trillion dollars.
Stop thinking your grandchildren will be OK no matter how wasteful or destructive you may be, since they can go to a nice new planet on a spaceship. That is really mean, and stupid.
And so on. Or else.
And for your own personal growth:
“Practice any art… no matter how well or badly, not to get money or fame, but to experience becoming. To find out what’s inside you. To make your soul grow… Do art for the rest of your lives.”
A friend has been going through what they are confident can be defined as a “midlife crisis.” I too have been thinking about a lot of the “big picture” stuff the last year or two, and have been trying to get better at living life. I do a lot of reading, offline and on, and a site always full of aspirational nuggets of wisdom at Maria Popova’s Marginalian. Took me over five months to get to this blog entry, but there is a lot worth taking in. She writes in her introduction:
“If we abide by the common definition of philosophy as the love of wisdom, and if Montaigne was right — he was — that philosophy is the art of learning to die, then living wisely is the art of learning how you will wish to have lived. A kind of resolution in reverse.”
I believe it’s all worth reading, but I really like the quote from philosopher, mathematician, historian, and Nobel laureate Bertrand Russell on broadening your life as it grows shorter:
“Make your interests gradually wider and more impersonal, until bit by bit the walls of the ego recede, and your life becomes increasingly merged in the universal life. An individual human existence should be like a river — small at first, narrowly contained within its banks, and rushing passionately past rocks and over waterfalls. Gradually the river grows wider, the banks recede, the waters flow more quietly, and in the end, without any visible break, they become merged in the sea, and painlessly lose their individual being.”
Also really like this thought on kindness from Tolstoy:
“The kinder and the more thoughtful a person is, the more kindness he can find in other people. Kindness enriches our life; with kindness mysterious things become clear, difficult things become easy, and dull things become cheerful.”
Again, it’s all worth reading and pandering, but I will end with this quote from Roman Stoic Senaca before getting to my final point:
“There are more things … likely to frighten us than there are to crush us; we suffer more often in imagination than in reality.”
“Midlife Crisis” sounds terrifying, but I think it’s the word “crisis” that scares us. Two definitions of the word, however, can give one hope:
The turning point for better or worse in an acute disease or fever.
An emotionally significant event or radical change of status in a person’s life.
I spent all of the Sunday after Thanksgiving watching Get Back, arguably not the most productive way to spend a day. But The Beatles’ productivity stuck with me, months and months later.
Unsurprising, their staggering output is undeniable proof of just how productive they were in such a short period of time. Former journalist Tom Whitwell had similar thoughts, outlining ten lessons from the film. It’s a good read – the first is something I have had to deal with and could also accuse myself of in the past:
The first rule of improvisation (and brainstorming) is “yes… and.” When someone suggests an idea, plays a note, says a line, you accept it completely, then build on it. That’s how improvisational comedy or music flows. The moment someone says ‘no,’ the flow is broken. It’s part of deferring judgement, where you strictly separate idea generation from idea selection.
As they slog through Don’t Let Me Down, George breaks the spell. Instead of building and accepting he leaps to judgement, saying “I think it’s awful.” Immediately, John and Paul lay down the rules: “Well, have you got anything? “You’ve gotta come up with something better.”
A small pop-up restaurant in Tokyo where “no one knows if what you ordered will come out OK.”
It is aptly named The Restaurant of Mistaken Orders, and all of the servers taking those orders have dementia. Founded by former news organizer Shiro Oguni, after he stumbled upon Yukio Wada’s group home for dementia care. From an interview with Oguni:
“We want to have a place where everyone thinks, ‘Well, it’s OK if there was a mistake,’ everyone there just accepts the mistake, and they all laugh about it and have fun… At first I had an image in my head of dementia being a little scary, one of aimlessly wandering about and of abusive language. But when I visited, it was a cozy place and completely different than I imagined. Wada thought first that before dementia, everyone is a person. So even if they have dementia they can cook and clean and do what they can by themselves. The job of the care home should be to support their ability to live their own lives until the very end. This group home was the implementation of that idea.”
He recalls lunch time on the day he did that report. He ordered a hamburger steak, but was served gyoza (pot stickers) instead. “I was surprised and thought, ‘the only thing that’s right about this is the ground meat.’ But I was the only one there that was about to point that out.”
No one among the elderly residents and the care workers said a word about it, and they were eating the gyoza with gusto. “Seeing this, I got so embarrassed. I wanted to correct a mistake. But if everyone takes it in in the moment, then it ceases to be a mistake.”
Had a conversation last night about this video from Bill Maher that I saw via a tweet from Scott Adams on this year’s Best Picture nominations, which Adams calls, “feel-bad ‘entertainment’ that gives you brain damage.” I haven’t seen all of the films (yet), but I wonder if Adams or Maher have either, or why exactly any of them would give one “brain damage?”
Maher’s argument is that movies should be less dour. I would argue plenty of movies are less dour, likely hundreds that were released last year alone.
“I’m not glad Stan Lee is dead, I’m sad you’re alive,” Maher said not that long ago, chiding those that like comic book and comic book films, and asking that grown-ups should read books that make them think. “Read James Baldwin, read Toni Morrison, read Michael Eric Dyson,” he pleaded.
Can film not do the same? If a movie can move you, or make you think, does it not hold value?
He continues, and this is the real crux of his argument, that the movies made in 2020 were not about entertainment, but virtue signaling. You can make that argument for Promising Young Women (to which I would disagree), but I can’t see that argument about any of the other nominees. (Side note: I would also argue Promising Young Women and The Trial of the Chicago 7 were wildly entertaining).
This is where he really loses me: “They used to know how to make a movie that was about something… that was also entertaining, and not just depressing,” he says while a list of films are shown on screen cherry picked from over 80 years of cinema, including Grapes of Wrath, 12 Angry Men, Look Who’s Coming to Dinner, Do the Right Thing, Schindler’s List, and 12 Years A Slave, all of which invalidate his “argument” and makes me ask:
This year thousands of people turned their homes into floats for Mardi Gras, capturing so much of what makes New Orleans great: creativity, positivity and resilience.
“In any great outcome, there is a component of luck. Yet if life were all about luck, the same people wouldn’t repeatedly do great things. When someone repeatedly does great things it is because they prepared in advance to advance to recognize, work on, and fill in the blanks when necessary. This is the essence of intelligent preparation.”
“I can’t give my students more time in their lives; but what I try to do is change the way they think about and value it in the first place. There is no Soylent version of thought and reflection — creativity is unpredictable, and it simply takes time. “
“Comparing ourselves to others allows them to drive our behavior. This type of comparison is between you and someone else. Sometimes this comparison is motivating and sometimes it’s destructive. You can be anything but you can’t be everything. When we compare ourselves to others, we’re often comparing their best features against our average ones. Not only do we naturally want to be better than them, the unconscious realization that we are not often becomes self-destructive.”
Though the overall plastic production in the recording industry has dropped, greenhouse gas emissions caused by music consumption have reached an unprecedented high, a new study from the University of Glasgow shows. The changes in environmental impact are due to the decreasing popularity of physical music formats and rise in digital music streaming.
If you only listen to a track a couple of times, then streaming is the best option. If you listen repeatedly, a physical copy is best – streaming an album over the internet more than 27 times will likely use more energy than it takes to produce and manufacture a CD.
This is my new excuse for buying vinyl. Just saving the planet over here, no big.
Stop poisoning the air, the water, and the topsoil.
Stop preparing for war and start dealing with your real problems.
Teach your kids, and yourselves, too, while you’re at it, how to inhabit a small planet without helping to kill it.
Stop thinking science can fix anything if you give it a trillion dollars.
Stop thinking your grandchildren will be OK no matter how wasteful or destructive you may be, since they can go to a nice new planet on a spaceship. That is really mean, and stupid.
“Far from being laborers starved of culture, cigar rollers had the opportunity to examine new ideas, remain informed, and gain perspective through interpretation of classic literature.”
Friends of mine own a pair of remarkable BBQ restaurants.
The food is great. They are great. Their principles and values are worth a read. Many (all?) can be adapted not only to any business, but life in general:
Be the best restaurant we can be, not just the best BBQ restaurant.
Produce the highest quality food at all levels and exceed standards.
Provide the most knowledgeable and remarkable customer service that exceeds all expectations.
Every item on the menu must be exceptional. A bigger menu isn’t a better menu.
Have a kitchen/restaurant that is so clean and safe that you’d be proud to show a customer at any time.
Be solution focused, not problem focused.
Honesty, integrity, and respect in all interactions with customers and colleagues.
Have the best communication in the industry.
Assume the best in others and be empathetic. Especially with customers.
Always ask, “how could this be better?” Challenge all sacred cows. Push to be the absolute best.
Empower Others – don’t be a bottleneck. Be systems and process focused.
Operate from a place of positivity, not negativity.
Operate with logic, facts and numbers. Not from emotion.
Be respectful of everyone’s time.
Bootstrap it: do more with less and work with the tools you have.
Masha Ivashintsova was born in Russia in 1942. When the Leningrad native passed away in 2000, they left behind over 30,000 photographs that had never been seen by anyone.
As Ivashintsova’s daughter explains:
My mother, Masha Ivashintsova, was heavily engaged in the Leningrad poetic and photography underground movement of the 1960−80s. She was a lover of three geniuses of the time: Photographer Boris Smelov, Poet Viktor Krivulin and Linguist Melvar Melkumyan, who is also my father. Her love for these three men, who could not be more different, defined her life, consumed her fully, but also tore her apart. She sincerely believed that she paled next to them and consequently never showed her photography works, her diaries and poetry to anyone during her life. As she put herself in her diary:
“I loved without memory: is that not an epigraph to the book, which does not exist? I never had a memory for myself, but always for others.”
